Aꝡaereusso Introduction

Aꝡaereusso is a conlang inspired by Vietnamese, Korean, and little sprinkles of my very very little knowledge of Japanese (…not that my knowledge of the other two is that great).

Grammar Overview

Aꝡaereusso is an SOV language. Adjectives are put before the nouns. Adpositions can go either at the beginning of a clause, or before a verb.

Instead of adjectives, it has stative verbs, which behave exactly like adjectives (except for the fact that they can be used as verbs). It has a “ser/estar” type of distinction, as in Spanish, where adding the copula suffix to one will turn it into a ser.

It has no pronouns, so it’s perfectly okay to refer to people by their name or rank, even in first person. It has a simple formality system, presented as an affix in the verb of a main clause.

Writing System Overview

The writing system is a logography. Every word acts as a unique symbol, with a few radicals that can be used to guess the pronounciation. Some symbols are used as part of a syllabary for some names and foreign words. It has no punctuation, and instead, physical spacing is used to mark prosody.

Example Sentences

kassae reun ꝡe mine aranhlanh ssiraesa anhmane
warrior TOPIC RELCL neck long-REL some cat look_at.PERF
The warrior looks at a long-necked cat

manlái reun ꝡe sàni munhlanh rai ttuane
bard TOPIC RELCL some-SUBJ* say-REL thing know
The bard knows what was said

Naranhmi reun kúae Nakkami ruꝡo munhatterae ttuane
Naranh knows why Nakka bought flowers

Worldbuilding

This language was made for a slow-burn fantasy lesbian romance story I was writing, about two girls in a post-apocalyptic setting who don’t speak each other’s language. One of them performs field linguistics on the other, and they slowly get close in this way. I could begin posting it in Off-topic if that is something people want.

The language is from a very militaristic, kind-of-matriarchal, magically advanced culture. The relevant part of the worldbuilding for the language is this:

There is a government entity that documents how the language is commonly used. However, due to the Aꝡaereusso culture, they end up having a prescriptivistic effect on how the language is used, such that, for example, once they describe a new symbol as being part of the logography, everyone begins using it even if they previously did not. Similarly, if they deem a symbol as archaic, people will begin using more modern-feeling alternatives. These changes in the language can happen very rapidly.

It is common for people to have different names when they’re talking to people of different ranks. There is a methodical way to generate them, but some are forbidden for some people to know, however, after the war that halved the world, they are no longer as strict about this. For example, it is not allowed for a common person to know any government official’s underling-name. In the modern era, however, this is mostly considered a misdemeanor and not a punishable offense. On the other hand, knowing your boss’ underling name could get you fired from a job, and having a history of using it could ruin your life.

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The ranks and names will/would probably end up being very pronoun in function due to usage like how one never uses the actual Vietnamese pronouns but terms for the relationship between the speaker and the listener.

Overall very cool. I like the use of the Vy letter.
Can you share the phonology for Awyaerusso?

The ranks and names will/would probably end up being very pronoun in function due to usage like how one never uses the actual Vietnamese pronouns but terms for the relationship between the speaker and the listener.

Yeah, for a long time I wondered whether I want to consider these as pronouns or not. I decided not to, but you could easily analyze them the other way around

Can you share the phonology for Awyaerusso?

Here it is:

Phonology

Consonants

Labial Alveolar Palatal Velar
Plosive p pˤ t tˤ k kˤ
Fricative f s ɕ x
Nasal m n ɲ
Tap ɾ
Lateral
Approximant l

It’s also acceptable to notate /pˤ/ as /pˠ/, and /tˤ/ as /tˠ/, and /ɾ/ as /r/

Vowels and diphthongs

/a ɛ e ɨ i o u/

All falling and rising diphthongs are allowed.

Allophony

  • pˤ and tˤ can be pronounced velarized
  • Some dialects pronounce /pˤ/ as [t͡p]
  • All plosives also have variants with no audible release, which are only used when the plosive is at the end of a syllable.
  • /m/, /n/ and /ɲ/ are realized as [ᵐb] and [ⁿd] and [ᶮɟ] at the beginning of words.
  • /x/ is realized as [h] in fast speech anywhere but in the middle of sentences so long as the speech is casual. In some dialects, its realization is omitted in casual speech.
  • /ꝡ/ is realized as [j] when before any of the single vowels /ɨ u/ and as [w] before the single vowels /ɛ e/
    • For diphthongs, the rules above are reversed. The resulting realization is similar to an elongated semivowel.
    • For /a/ and /o/ it can be any vowel, both in single vowels and diphthongs

The kara

A kara can have any of the following structures:

(C1)V(C2)
(C1)D(C2)
(C1)VD(C2)

C1: Any consonant except for ɲ
C2: Any plosive, any nasal and /l/
V: Any vowel
D: Any diphthong

Tonal Stress

A kara can also have what in this language is called tonal stress. A kara can have a sudden change in pitch compared to the rest of the speech. There is a rising tonal stress and a lower tonal stress. The former is denotated with the diacritic á and the latter with à.

Orthography

Labial Alveolar Palatal Velar
Plosive p pˤ <p pp> t tˤ <t tt> k kˤ <k kk>
Fricative f s ɕ <ss> x <h>
Nasal m n ɲ <nh>
Tap ɾ <r>
Lateral
Approximant l

/a ɛ e ɨ i o u/
<a ae e eu i o u>

Some impossible combinations exist. For example, <es> becomes /et/.

Diphthongs involving a vowel followed by a vowel that is written using two letters, such as i-ae, are better written as ye. Here is a table containting the rewritten suffixes:

Vowel Vowel Orthography
i ae ye
i eu yu
u ae we
u eu wu

So that for example, <iwe> would be pronounced /i.uɛ/

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realizing that this might’ve been too much

yes please :pleading_face:
I love reading conlang related fiction. There was this one free e-book I read a while ago, Lingon or something like that? I’ll have to look it up…

Edit: Found it! https://www.zaunajma.com

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If someone else / a few others request it, I’ll polish my writings a little bit and post it

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i would love to see it too! we always need more lesbian stories in this world (☆ω☆)

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ough this is making me want to write gay stories again

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Fascinating mix of phonological features from the source langs.

What are some of the word roots? Is there any productive/fossilised morphology within the words?

Would would someone need to know to be able to play around making constructions with it?

In the setting, what sort of changes did the government like to impose on the language? Did any changes have knock on effects on grammar, speech patterns or phonology?

And were there any large-scale borrowings of vocabulary in the language's history?

And what type of language does the other character speak?

It wasn't too much, it was amazing! I love this, and the lore seems like something I'd do lol

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What are some of the word roots? Is there any productive/fossilised morphology within the words?

I recall deciding that the common greeting is a merge of old words that eventually ceased being used. I don't remember these words.

There is productive morphology for nationalities and language names. Aꝡaereusso comes from "dutiful nation's language" after being severely shortened.

Besides this, I don't often think about morphology. Which is sad, because I could do quite a number in this language.

Would would someone need to know to be able to play around making constructions with it?

I'm not sure I understand this question.

In the setting, what sort of changes did the government like to impose on the language? Did any changes have knock on effects on grammar, speech patterns or phonology?

A maybe relatable example is the change from "kkiseu" ("radio") being written as a syllabary foreign word shortened into a symbol that results from merging it's main components, then a unique symbol that gained use near the south suddenly spreading after being documented.

And were there any large-scale borrowings of vocabulary in the language's history?

I like to imagine that there might be. Particularly in words for ranks. I haven't developed their history that much, but I have the idea that their warrior-ness was introduced externally.

And were there any large-scale borrowings of vocabulary in the language's history?

I haven't developed her language at all, because the story was written from her perspective and the reader would just see it as English. In the animatics that run through my head whenever I listen to music, I imagine it being written with an alphabet. That might be a place for me to start, if I ever do want to start.

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